• Main Conference
  • Exhibitions
  • Featured Artists
  • Sponsorship
  • Pre-Conference
  • Travel Info
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Sustain: Woodfire NC 2025

100 Russell Drive
Star, NC, 27356
(910) 428-9001
International wood firing conference at Starworks in Star, North Carolina

Sustain: Woodfire NC 2025

  • Main Conference
  • Exhibitions
  • Featured Artists
  • Sponsorship
  • Pre-Conference
  • Travel Info

Ben Owen III

Seagrove Pre-Conference Artist

Main conference Demonstrator

Registration/Schedule

Invited Artists:

Cynthia Bringle, Tony Clennell and John Neely

During college, Ben Owen’s interest in form, design, and color piqued; and he began to forge his own unique path in clay. Through technical exploration and academic influences, Ben’s clay vernacular began to evolve. Travels in the US attending workshops and conferences along with a fellowship in Japan, extended his continued research. He has said, “My approach to working in clay is inspired by many influences. Tradition and vision merge to forge the future, as I honor the historic Owen aesthetic while creating a new, unique body of work. Culture, blended with influences in nature, inspire my work. With studies in China, Japan, Australia and Europe, as well as in the university setting, I have continued to create a unique identity from culture and nature.” 

Ben’s recent passions have included glaze creation and experimentation. “For some pots, I use a four-chambered wood kiln with a firing process of up to four days. The prolonged exposure to ash and heat develops a wide range of color and texture on the clay. Other glaze techniques have evolved in a gas or electric kiln with a precision in temperature control to manipulate the finish. Some pieces are re-fired to develop layers and depth on the finish.”

Ben Owen III Bio

Details:

www.benowenpottery.com

Ben Owen III

Seagrove Pre-Conference Artist

Main conference Demonstrator

Registration/Schedule

Invited Artists:

Cynthia Bringle, Tony Clennell and John Neely

During college, Ben Owen’s interest in form, design, and color piqued; and he began to forge his own unique path in clay. Through technical exploration and academic influences, Ben’s clay vernacular began to evolve. Travels in the US attending workshops and conferences along with a fellowship in Japan, extended his continued research. He has said, “My approach to working in clay is inspired by many influences. Tradition and vision merge to forge the future, as I honor the historic Owen aesthetic while creating a new, unique body of work. Culture, blended with influences in nature, inspire my work. With studies in China, Japan, Australia and Europe, as well as in the university setting, I have continued to create a unique identity from culture and nature.” 

Ben’s recent passions have included glaze creation and experimentation. “For some pots, I use a four-chambered wood kiln with a firing process of up to four days. The prolonged exposure to ash and heat develops a wide range of color and texture on the clay. Other glaze techniques have evolved in a gas or electric kiln with a precision in temperature control to manipulate the finish. Some pieces are re-fired to develop layers and depth on the finish.”

Ben Owen III Bio

Details:

www.benowenpottery.com

Ben working on teapot.jpg
Papagama wood kiln at Ben Owen Pottery.jpg
Third Chamber of Wood Kiln.jpg
Ben Owen Pottery Wood Kiln Third Chamber.jpg
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